By Nathan Gardels
This astonishing little ebook explores the function people media in international coverage, not just at present second, yet with an eye fixed to the future.Written by means of a veteran Hollywood movie government and an across the world recognized columnist in international affairsExplains how American videos, television indicates, and dad tune give you the pictures of the USA to the remainder of the area, and the remainder of the area to AmericansIncludes discussions of the cartoons of the Prophet Mohammed Danish day-by-day newspapers, Tibetan priests censored out of chinese language television information reviews simply to teach up on You Tube, and the Vatican's attack at the Da Vinci Code movieArgues that Hollywood is a key participant within the 'deep coalition' required to aid a 'smart energy' international coverage and construct an international cultural infrastructure that may make the realm secure for interdependence
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Extra resources for American Idol After Iraq: Competing for Hearts and Minds in the Global Media Age
Soft power does not necessarily increase the world’s love for America. ”24 The flipside of this backlash is the robust cultural competition that is part and parcel of the growing civilizational confidence that comes along with the new-found prosperity globalization has wrought, notably in Asia. Increasingly, audiences want to be entertained more by their own myths and stories, soaps and epics, as they have for so long in India, not just by those produced in America. The route to the East, so to speak, may well have gone through the West, but as the East arrives at its destination it increasingly wants the modernity it has glimpsed on the screen on its own terms, not 20 The Magic is Gone American terms, and certainly not with our geopolitical, geoeconomic, or geocultural agenda.
The film was only possible because Francis Ford Coppola had made The Godfather and The Godfather II, two classic films about the Italian mafia. It also helped that he provided a portion of the financing himself by pre-selling the rights in some foreign markets. After being turned down by Steve McQueen and Robert Redford, neither of whom wanted to 28 How Hollywood Works spend what was thought to be four months in the jungle, he landed Marlon Brando as co-star in the film with a promise that he would only have to spend four weeks on the set.
21, no. 3, pp. 11–12. Smale, A. S. ” New York Times, March 13, 2008. Blitz, J. ” Financial Times, November 6, 2007. Gapper, J. ” Financial Times, May 14, 2008. Gatsiounis, I. ” YaleGlobal, February 7, 2008. Bayles, M. ” AEI Online, December 4, 2006. Bayles, M. ” AEI Online, December 4, 2006. ” The Economist, February 2, 2008, 65–6. Bayles, M. ” The Wilson Quarterly, Summer 2005. Gerecht, R. M. ” World Affairs, Winter 2008. ” New Perspectives Quarterly (Fall 1998), vol. 15, no. 5. ” Interview with Nathan Gardels.
American Idol After Iraq: Competing for Hearts and Minds in the Global Media Age by Nathan Gardels